Program note
Franz Lehár : Dein ist mein ganzes Herz
àčàžàčàž Aria àžàž”àčàčàžàčàžàžàž±àžàžàžąàžčàčàčàž Operetta àčàžŁàž·àčàžàž “Das Land des Lächelns” (The land of smile) àžàžŁàž°àžàž±àžàžàčàžàžàžàžŁàž”àčàžàžą Franz Lehár àžàžŁàž°àžàž±àžàžàčàčàžàž·àčàžàžŁàčàžàž (Libretto) àčàžàžą Fritz Löhner-Beda àčàž„àž° Ludwig Herzer àžàžàčàžàž„àžàžàž”àčàžŁàčàžàžàčàžàžąàžàž±àž§àž„àž°àžàžŁ
àčàžàčàžŁàž·àčàžàžàžàž”àčàčàžàčàžàčàžàčàžČàžàžČàžąàžàž¶àčàžàčàžàčàžàžàž±àž§àčàžàžàžàžàžàčàžŁàž·àčàžàžàžàž·àčàžàž§àčàžČ Sou - chong àčàžàžàžàžàčàžàž”àčàžȘàžàž àžàžàčàžàž„àžàžàž”àčàžàžŁàž°àžàž±àžàžàčàžàžąàžčàčàčàž Key D flat major Lehár àčàžàčàžàžŁàž°àžàž±àžàžàčàžàžàčàžàž„àžàžàž”àčàčàžàžàžČàžàžȘàčàž§àžàčàžàžàž” 1923 àčàžàčàž§àžàžŁàčàžàž±àčàžàčàžŁàžàžàž”àčàžàžčàžàčàžȘàžàžàčàžàčàžàž·àčàžàčàžŁàž·àčàžàž Die gelbe Jacke (The Yellow Jacket)
àžàčàžàžĄàžČ Fritz Löhner-Beda àžàžłàčàžàž·àčàžàčàžŁàž·àčàžàžàžĄàžČàžàžŁàž±àžàžàžŁàžžàžàčàžàčàčàžàčàž«àžĄàč àčàž„àž°àčàžàčàžąàčàžČàžąàžàžàžàžčàžàžŁàž§àžĄàžàž¶àžàžàžàžŁàčàžàžàžàžàžàžàžàčàžàž„àžàžàž”àčàžàžČàžàžàžàžàčàžàž”àčàž«àžàž¶àčàž
àčàžàžàžąàžčàčàčàžàžàžàžàčàžàž”àčàžȘàžàžàčàž„àž°àžàžłàžàžČàžŁàžàžłàčàžàž·àčàžàžŁàčàžàžàčàž«àžĄàčàžàž„àžČàžąàžàžàčàžàž„àžàžàž”àčàčàžàčàžàžàž±àžàžàžàž Lehár àžàž”àčàžàž±àžàžŁàčàžàžàčàžȘàž”àžąàž Tenor àžàžłàžĄàžČàžŁàčàžàžàčàžàž”àčàžąàž§
àčàžąàžàžàžČàž Operetta àčàžàčàž§àž„àžČàžàčàžàžĄàžČ àžàž±àžàžŁàčàžàžTenor àžàžàčàžŁàžàžàž”àčàžàžłàžàžàčàžàž„àžàžàž”àčàžĄàžČàžŁàčàžàžàčàžàž”àčàžąàž§àčàž„àž°àžàžŁàž°àžȘàžàžàž§àžČàžĄàžȘàžłàčàžŁàčàž
àžàž·àž Richard Tauber
Franz Schubert : Erlkönig
Erlkönig àžàž·àžàžàžàčàžàž„àžàžàžŁàž°àčàž àž Lied àžàžŁàž°àžàž±àžàžàčàčàžàžą Franz Schubert àžàž¶àčàžàčàžàčàžàžàžàčàžàž„àžàžȘàžłàž«àžŁàž±àžàžŁàčàžàžàčàžàčàž„àčàžàž±àžàčàžàž”àžąàčàžàžàžŁàž°àžàž±àžàžàčàžàž¶àčàžàčàžàžàž” 1821 Schubert àžĄàž”àžàžČàžąàžžàčàžàž”àžąàž 18 àžàž”àčàžàčàžČàžàž±àčàž àčàžàž·àčàžàčàžàž„àžàžàžłàžĄàžČàžàžČàžàžàžàžàž§àž”àžàžàž Goethe àčàžàžČàčàžàčàžàžąàžČàžąàžČàžĄàčàžàčàčàžàžàžàčàžàž„àžàžàž”àčàžàž¶àžàžȘàžČàžĄàžàžŁàž±àčàžàžàčàžàžàžàž”àčàžàž°àžàž”àžàžŽàžĄàžàčàčàžàžàžČàžŁàčàžàčàčàžàžàžŁàž±àčàžàžàž”àčàžȘàž”àčàčàžàžàž” 1821 àčàžàčàž Opus àžàž”àč 1 àžàžàčàžàž„àžàžàž”àčàžàžčàžàžàž±àžàčàžŁàž”àžąàžàžŁàžČàžąàžàž·àčàžàčàžàžą Otto Erich Deutsch àčàž«àčàžàžąàžčàčàčàžàž„àžłàžàž±àž D.328 àčàžàžàž” 1951 àžàž¶àčàžàčàžàčàžàžŁàžČàžąàžàž·àčàžàžȘàžłàž«àžŁàž±àžàžàž„àžàžČàžàžàžČàžŁàžàžŁàž°àžàž±àžàžàčàžàžàž Schubert àžàžàčàžàž„àžàžàž”àčàžàžčàžàžàžłàčàžàčàžȘàžàžàčàžàčàžàžàžŁàž±àčàžàčàžŁàžàčàžàž§àž±àžàžàž”àč 1 àžàž±àžàž§àžČàžàžĄ 1820 àžàž¶àčàžàčàžàčàžàžàžČàžŁ Showcase àžȘàčàž§àžàžàž±àž§àčàžàčàžĄàž·àžàžàčàž§àž”àžąàžàžàžČ
àžàčàžàžĄàžČàžàžčàžàžàžłàčàžàčàžȘàžàžàžȘàžčàčàžȘàžČàžàžČàžŁàžàž°àžàžàčàžàčàžàžàžŁàž±àčàžàčàžŁàžàčàžàž§àž±àžàžàž”àč 7 àžàž€àž©àž àžČàžàžĄ 1821 àžàž”àč Theater am Kärntnertor àčàžàčàžĄàž·àžàžàčàž§àž”àžąàžàžàžČ
àčàžàžàžàčàžàž„àžàžàž°àžĄàž”àžàžąàžčàčàžàž±àčàžàž«àžĄàž 4 àžàž±àž§àž„àž°àžàžŁàžàčàž§àžąàžàž±àž àčàžàžąàžĄàž”àžàžčàčàčàž„àčàžČàčàžŁàž·àčàžàž (Narrator) àžàčàž(Father) àž„àžčàžàžàžČàžą(Son) àčàž„àž° Erlking( àžàž¶àčàžàžàžžàžàžàž±àž§àž„àž°àžàžŁàžàžčàžàžàčàžČàžąàžàžàžàčàžàžąàžàž±àžàžŁàčàžàžàčàžàž”àžąàžàžàžàčàžàž”àžąàž§ àžàž¶àčàž Schubert àčàžàčàžàž±àžàž§àžČàžàčàžàčàž„àž° Character àčàž«àčàžĄàž”àžàčàž§àžàčàžȘàž”àžąàžàčàž„àž°àčàžàžàčàžȘàž”àžąàžàžàž”àčàčàžàžàžàčàžČàžàžàž±àž àžàž¶àčàžàžàž±àžàž§àžČàžàžàžàžàžĄàžČàčàžàčàžàž±àžàžàž”àč
-
àžàžčàčàčàž„àčàžČàčàžŁàž·àčàžàž : àžàž°àžĄàž”àžàčàž§àžàčàžȘàž”àžąàžàžàžąàžčàčàčàžàčàžàžàžàž„àžČàžàč àčàž„àž°àžàžąàžčàčàčàžàčàž«àžĄàž Minor
-
àžàčàž : àžàž°àžàžąàžčàčàčàžàčàžàžàčàžȘàž”àžąàžàžàčàžł àžĄàž”àžàžČàžŁàčàžàčàčàž«àžĄàžàčàžĄàčàžàžàžŁàčàžȘàž„àž±àžàžàž±àžàčàžĄàčàžàžàžŁàč
-
àž„àžčàžàžàžČàžą : àžàž°àžŁàčàžàžàčàžàčàžàžàčàžȘàž”àžąàžàžȘàžčàž àčàž„àž°àžŁàčàžàžàčàžàčàž«àžĄàž Minor
-
Erlking : àžàž°àžŁàčàžàžàžàžąàžčàčàčàžàčàž«àžĄàžàčàžĄàčàžàžàžŁàčàčàžàčàžàžȘàčàž§àžàčàž«àžàč àžĄàž”àžàžČàžŁàžŁàčàžàžàžàčàž§àžàčàžȘàž”àžąàžàžȘàžčàžàžȘàž„àž±àžàžàčàž§àžàčàžȘàž”àžąàžàžàčàžł
àžàž±àž§àžàžàčàžàž„àž Erlkönig àčàžŁàžŽàčàžĄàžàčàžàžàčàž§àžąàžàžČàžŁàžàžŁàžŁàčàž„àžàčàžàž”àžąàčàžàčàžàžàž±àžàž«àž§àž°àžàž”àčàžàčàžàžàžàčàžČàžàčàžŁàčàž§àčàžàčàž Tripped àžȘàžŁàčàžČàžàžàž§àžČàžĄàžŁàžčàčàžȘàž¶àžàžàž”àčàčàžàčàžàčàž«àžĄàž·àžàžàžàž§àžČàžĄàčàžŁàčàžàžŁàž”àžàčàž„àž°àčàž„àž”àžąàžàčàžàžàžàž±àžàž«àž§àž°àžàžČàžŁàžàž§àžàžĄàčàžČ àčàžàžàžàž°àžàž”àčàčàžàžȘàžĄàž·àžàžàčàžČàžąàčàžàčàžàžȘàčàž§àžàžàžłàžàž±àž§àžàž”àžĄàžȘàžąàžàžàžàž§àž±àžàčàž«àčàžàž±àžàžàžàčàžàž„àžàžàž”àč àčàž„àž° Motif àžàž”àč àžàčàžàž°àžàžłàčàžàžŽàžàčàžàžàž„àžàžàčàžàžȘàčàž§àžàžàž”àčàž„àžčàžàžàžČàžąàžàčàžàžàž§àžàžàžàčàžàžàčàžàžàčàžàž°àžĄàž”àžàžČàžŁàčàžàčàčàžàžàčàžȘàž”àžąàžàžàž”àčàžȘàžčàžàžàž¶àčàžàčàžŁàž·àčàžàžąàčàžàž§àčàžČàžàčàžàžàžàčàžàžàč àčàž„àž°àčàžĄàž·àčàžàžàž°àžàžàčàžàž„àžàžàžàžàžŁàž”àčàž„àž°àžàžČàžŁàžŁàčàžàžàžàž°àčàžŁàčàžàčàžŁàčàžČàžĄàžČàžàžàž¶àčàž àžàž¶àčàžàčàžàčàžàžàžàžàžàž”àčàžàčàžàžàž§àžàžĄàžČàčàžŁàčàž§àžàž¶àčàž àžàžČàžàžàž±àčàžàčàžĄàž·àčàžàžàžàžàžŁàž”àžàčàžàžàžàž§àžČàžĄàčàžŁàčàžàčàžŁàčàžČàž„àžàžàž·àžàžàžàžàžàž”àčàžàčàžàčàžàčàžàž§àžàžĄàčàžČàžàž¶àžàžàž”àčàž«àžĄàžČàžąàčàž„àčàž§ àčàžàž”àžąàčàžàžàž°àž«àžąàžžàžàčàžàžŁàž°àžąàž°àžȘàž±àčàžàč àžàčàžàžàžàčàžàžàžȘàžžàžàžàčàžČàžą “ In seinen armen das kind wartot” àčàž„àž°àžàžàž„àžàžàčàž§àžą Perfect authentic cadence àčàžàčàžàžàžČàžŁàžàžŽàžàžàžČàžàžàžàčàžàž„àžàžàčàž§àžąàžàžČàžŁàžàžČàžąàžàžàžàž„àžčàžàžàžČàžą
Gabriel Fauré : Les Berceaux
Les Berceaux àčàžàčàžàžàžàčàžàž„àžàžàžŁàž°àčàž àž Chanson àžàžŁàž°àžàž±àžàžàčàčàžàžą Gabriel Fauré àčàžàžàž” 1879 àžĄàž”àžàžČàžŁàčàžàčàčàžĄàčàž„àžàž”àčàžàž”àčàž„àž·àčàžàčàž«àž„ àžàž±àčàžàčàžàžȘàčàž§àžàžàž±àžàžŁàčàžàžàčàž„àž°àčàžàž”àžąàčàžàčàžàž·àčàžàčàž«àčàžàžŁàžŁàžąàžČàžàžČàžšàžàžČàžŁàčàžàž„àž·àčàžàžàčàž«àž§àžàžàžàčàžŁàž·àžàčàž„àž°àžàčàžČàčàžŁàž·àž àčàžàž·àčàžàžŁàčàžàžàčàžàčàžàžłàžĄàžČàžàžČàžàžàžàžàž„àžàžàžàžàž Sully - Prudhomme àžàž¶àčàžàžàžàžŽàžàžČàžąàčàžŁàž·àžàžàžàžČàžàčàž«àžàčàžàž”àčàčàžąàžàčàžàžĄàžČàčàžàžąàžàž„àž·àčàžàžàčàžł àčàž„àž°àžàčàžČàčàžŁàž·àžàžàž”àčàžȘàž±àčàžàčàž«àž§àčàžàžąàžàžčàčàž«àžàžŽàž àčàžàčàžàčàžàžàžàžàž„àžàžàžàž”àčàžàžàžàž§àčàžČ”àčàž„àčàž§àž§àž±àžàžàžłàž„àžČàžàčàžàčàžàžàžĄàžČàžàž¶àž àčàžàžŁàžČàž°àžàžčàčàž«àžàžŽàžàžàčàžàžàžŁàčàžłàčàž«àč àčàž«àčàžàž±àžàžàžčàčàžàžČàžąàžàž”àčàžàžąàžČàžàžŁàžčàčàžàžąàžČàžàčàž«àčàž àčàžàčàžàčàž«àžĄàž·àžàžàžàž±àčàžàžȘàžČàžąàž„àčàžàžàčàžČ àžàž¶àžàčàžĄàčàž§àčàžČàčàžŁàž·àžàžàž°àžàžłàžàžČàžàžčàčàžàžàžàžàžàžàžČàžàžàčàžČàčàžŁàž·àž àčàžàčàžąàž±àžàčàžàčàžȘàž”àžą àčàžàčàžĄàčàžàčàžČàžàčàžàčàžàžàžàžłàžàžČàžàžčàčàžàžàžàž„àž±àžàžĄàžČàžąàž±àžàžàž”àčàčàž«àčàžàžàžŽàžàž§àžŽàžàžàžČàžàžàžàžàžĄàž±àž" àžàž¶àčàžàžàčàžàž·àžàžàčàžČàčàžŁàž·àžàžàž±àčàžàčàžàž
àžàžàčàžàž„àžàčàžŁàžŽàčàžĄàžàčàžàžàčàž§àžąàžàžČàžŁàžĄàžàčàžàž”àčàžàž±àžàžàž„àčàžàžĄàžàčàž§àžąàžàžČàžŁàčàž„àčàž Arpeggio àžàžàžàčàžàž”àžąàčàžàčàžàčàžàž§àčàžàžȘ àžàčàžàžàčàž§àžąàžàžČàžŁàžŁàčàžàžàžàž”àčàčàžàčàž§àčàžàžČ àčàž„àž°àžȘàžàžàžàžŽàčàžàčàž«àčàžàžŁàžŁàžąàžČàžàžČàžšàžàž”àčàžàčàžàžàžàž„àžČàžą àčàž„àž°àžàčàžàžąàčàžàžŽàčàžĄàžàž§àžČàžĄàžŁàžčàčàžȘàž¶àžàžàž”àčàžĄàžČàžàžàž¶àčàžàžàžàžàž¶àžàžàčàžàž Climax àžàžŁàžàžàž”àčàžŁàčàžàžàž§àčàžČ “Ten tent les horizens qui leurrent” àžàž¶àčàžàžàčàžàžàžàž”àčàčàžàčàčàžàžàčàžȘàž”àžąàžàžȘàžčàžàžàž”àčàžȘàžžàžàčàžàžàžàčàžàž„àžàčàž«àčàžàžŁàžŁàžąàžČàžàžČàžšàžàž”àčàžàž·àčàžàžàž„àž±àž§àžàžàžàž«àžàžŽàž àžàž”àčàžàžčàžàžàžŽàčàžàčàž§àčàčàžàž·àčàžàžàž«àž„àž±àž àčàž„àž°àčàž«àčàžàžŁàžŁàžąàžČàžàžČàžšàžàž§àžČàžĄàčàžàžŁàžàčàžàžŁàž”àčàžąàž§àžàžàžàžĄàžŁàžȘàžžàžĄàčàž„àž°àžàžžàžàžȘàžŁàžŁàžàžàž”àčàžàžąàžčàčàčàžàžàž°àčàž„àžàžàž”àčàžàž±àžàčàžàžŽàžàčàžŁàž·àžàžàž±àčàžàž«àžĄàž àžàž°àžàčàžàžàčàžàžàžŽàž àčàž„àž°àčàžĄàž·àčàžàžàž§àžČàžĄàčàžàžŁàžàčàžàčàž«àžČàžąàčàž àžàžžàžàžàžąàčàžČàžàžàčàžàčàžàžąàčàžàčàžàžàžàž„àžČàžąàž„àž àčàžàčàžàžàžČàžŁàžŁàžàžàžàžąàžàžČàžŁàžàž„àž±àžàžĄàžČàžàžàžàžàžčàčàžàž”àčàžàžąàžčàčàžàžàčàžŁàž·àžàžàžàž àžàžčàčàž«àžàžŽàž àčàžàž”àžąàčàžàčàž„àž°àžàž±àžàžŁàčàžàžàžàčàžàž°àžàž„àž±àžàžĄàžČàžȘàžčàčàžàžłàžàžàžàčàžàžàžàžàžàčàžàžàžàžàžàžàčàžàž„àž
Marco Marinangeli : Mi Mancherai
Mi Mancherai àžĄàž”àžàž·àčàžàž àžČàž©àžČàžàž±àžàžàž€àž©àž§àčàžČ I’ll miss you àčàžàčàžàžàžàčàžàž„àžàžàžŁàž°àžàžàžàž àžČàžàžąàžàžàžŁàčàžàžŽàžàžČàž„àž”àžàž”àčàžàž·àčàžàž§àčàžČ Il Postino àž«àžŁàž·àž The post man àžàžČàžąàčàžàžàž” 1994 àžàžŁàž°àžàž±àžàžàčàžàžàžàžŁàž”àčàžàžą Luis Bacalov, Riccardo Del Turco àčàž„àž° Paolo Margheri àžàžŁàž°àžàž±àžàžàčàčàžàž·àčàžàžŁàčàžàžàčàžàžą Marco Marinangeli àžàž±àž§àčàžàž·àčàžàž«àžČàžàžàžàžàžàčàžàž„àžàčàžàčàžàžŁàžŁàžàžàžČàžàž¶àž àčàžàž·àčàžàžàž«àžŁàž·àžàžàžàžȘàžàžŽàžàžàž”àčàčàžàžąàžàžčàžàžàž±àžàžàž±àžàžĄàžČàžàžČàž àžàž”àčàž§àž±àžàčàž§àž„àžČàčàž„àž°àžȘàž àžČàž§àž°àžàžČàžàžȘàž±àžàžàžĄàčàžàčàžàžłàžàžČàčàž«àčàžàžàžàž±àčàžàžȘàžàžàčàžąàžàžàžČàžàžàž±àž àčàžàčàžàž¶àžàčàžĄàčàžàž°àčàžàčàžàčàžàčàžàžàž±àčàž àžàž§àžČàžĄàžȘàž±àžĄàžàž±àžàžàčàžàžàžàčàžŁàžČàžàčàžàž°àčàžĄàčàčàžàž„àž”àčàžąàžàčàž àčàžŁàžČàžŁàžčàčàžȘàž¶àžàčàžàčàžàžČàžàžàčàžČàžàčàž àčàž„àž°àžàžàžŁàž àžàž”àčàčàžàčàžàž„àž±àžàžĄàžČàčàžàžàžàž±àžàžàž”àžàžàžŁàž±àčàž àžàžàčàžàž„àžàžàž”àčàžȘàž·àčàžàžàž§àžČàžĄàž«àžĄàžČàžąàčàžàčàžàžąàčàžČàžàžàž”àžàžČàžĄàčàžŁàž·àčàžàžàžŁàžČàž§àčàžàž àžČàžàžąàžàžàžŁàč àžàž”àčàčàžàžŽàžàžàž§àžČàžĄàžȘàž±àžĄàžàž±àžàžàčàžàž±àžàčàžàž·àčàžàžàžŁàž°àž«àž§àčàžČàž Pablo Neruda àžàžčàčàžàžłàžàžČàžàčàžàž”àžąàžàžàžàžàž§àžČàžĄàžàžČàžàžàžČàžŁàčàžĄàž·àžàžàčàž„àž°àčàžàčàžàžàžàžàž§àž” àžàž±àž Mario Ruoppolo àžàž¶àčàžàčàžàčàžàčàžàž”àžąàžàžàžžàžŁàžžàž©àčàžàžŁàžšàžàž”àžąàčàžàž”àčàčàžĄàčàčàžàčàžŁàž±àžàžàžČàžŁàžšàž¶àžàž©àžČàčàž„àž°àžàžłàžàžČàžàžȘàčàžàžàžàž«àžĄàžČàžąàčàž«àčàčàžàč Neruda àžàžàčàžàž”àžąàž§àžàž±àčàž àžàž±àčàžàžàžčàčàčàžŁàž”àžąàžàžŁàžčàčàčàž„àž°àžàčàž§àžąàčàž«àž„àž·àžàžàž¶àčàžàžàž±àžàčàž„àž° Mario àžàčàžĄàž”àžàž”àž§àžŽàžàžàž”àčàžàž”àžàž¶àčàžàžàžČàžàžàžČàžŁàžàčàž§àžąàčàž«àž„àž·àžàžàžàž Neruda àčàžàžąàžàž”àč Neruda àžàčàčàžàčàžàčàž§àžą Mario àčàžàž”àžąàžàžàžàž«àžĄàžČàžąàžŁàž±àžàčàž«àčàžàž±àžàž«àžàžŽàžàžàž”àčàžàžàž àžàžàžȘàžžàžàžàčàžČàžą Mario àžàčàčàžàčàčàžàčàžàžàžČàžàžȘàžĄàčàž àčàžàžČàžŁàžčàčàžȘàž¶àžàžàžàžàžàžžàž Neruda àčàž„àž°àčàžĄàž·àčàžàžàčàžàžàčàžąàžàžàžČàžàžàž±àž àčàžàžČàžàčàžąàž±àžàžàžŁàžŁàžàžàžČàčàž„àž°àžàžŽàžàžàž¶àžàčàžàž·àčàžàžàžàžàžàž”àčàžàžąàžčàčàčàžȘàžĄàž
Copyright © 2020 Vorakit Kamolraksa